My Adventures with the Australian Women Writers Challenge

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aww-badge-2015 Australian Women Writers Challenge

The Australian Women Writers Challenge was founded by Elizabeth Lhuede to support and promote books by Australian women. I joined the challenge in 2013 and it has certainly been a journey for me. I am now much more aware of the books written by women and not just Australian women. This year I joined the challenge as a volunteer, as well as a reviewer. I am doing the monthly roundup of Historical Fiction and it is fascinating to see what is being read and reviewed in this genre.

Here is a link to the wrap up.
January 2015 Roundup: Historical Fiction
It’s not too late to join. Hope to see you there!

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WWOnelink – Gathering together WWI projects

Last week, through twitter, I discovered this marvellous site. WWOnelink is about linking your Great War Commemoration Project to the world. Definitely a collaborative workspace in my books.

The site explains: “WWI Link is a research project database established by the history-loving team at Inside History magazine. This website is an online register of research projects taking place across Australia during the centenary of WWI, promoting our WWI heritage and creating an important record of the ways in which Australians commemorated this significant centenary.”

WWOnelink is a marvellous resource, particularly for smaller project owners, who now have a very effective tool to help raise the profile of their project. Projects can be searched by State, Region and Type. Please spread the word to other history lovers and all those interested in finding out more about the Great War.

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A community of writers

TranscendenceEarlier this year I was lucky enough to meet Angela Walton when she dropped in to one of my Starving in a Garret community meetings. They are informal gatherings usually on a Saturday at a local cafe. I post on the net where I will be, generally writing or researching, and my friends or interested parties can come and say hello.

One Saturday Angela dropped in with her friend Renata and we’ve been buddies ever since. In June this year Angela’s book Transcendence was published by Custom Book Publications. Last month I read and reviewed her book on Goodreads and it was mentioned in a roundup of last month’s Australian Women Writer’s Speculative Fiction Round-up.

Here is Angela’s Webpage. Drop by and say hello to one of our Starving in a Garret writers!

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How fiction/historical fiction can save historical fact

City-of-Sydney_SLV_Green

Barquentine City of Sydney – formerly steamer City-of-Sydney_SLV_Green, Source: State Library of Victoria Author: Allan C. Green 1878 – 1954

As history is very important to me I’ve uploaded this post from Debbie Robson
at WordPress.

From oblivion is what I mean. One of my main aims in being a writer is to preserve little known facts and make them sing in my fiction. I might have touched on this before but there were two facts (above all others) that I wanted to preserve in Tomaree and that was to do with the US servicemen based in Australia. But let me start at the beginning.

Tomaree is inspired not just by a real life love story but by a fascinating time in Australian history when approximately half a million US serviceman were stationed in Australia during World War II. There are a lot of facts in Tomaree – details of the Fly Point camp, the way Nelson Bay used to be in 1942 (just a jumble of small shops) details of campaigns in the Pacific and much more. But the two facts, that may seem trivial, but I wanted to include are: 1. that the American serviceman hated all our loose change. They couldn’t abide it heavy and jingling in their pockets – the threepenny, halfpenny, pennies etc. As related to me by a Nelson Bay Resident, the soldiers would dig their hands in their pockets offer up the change to the nearest small child and say, “Here kid, buy yourself an icecream.”

No. 2 is that wherever the soldiers were stationed in Australia, it was common for local residents to send a small boy (never a girl from what I read in a history book on the subject) into the street looking for a Yank to invite him home to tea. My Amercan Signals Officer is approached by such a small boy but has to refuse because he already has a dinner invitation. I feel very privileged to have the means to keep these sort of little known but important facts alive for the reading public of today. It’s what motivates me to seek out historical fact (like many historical fiction authors I’m guessing) and weave it into my fiction.

In a strange way too, fiction also preserves historical facts for readers. For some time now I’ve been researching Sydney in the 1920s. There are actually not many non fiction books available on the subject. Frustrated, I turned my attention to fiction but wondered where all the female fiction writers were who were writing at that time. There didn’t seem to be many listed in anthologies and literary records. At first I thought there was simply no significant female authors writing during the first two decades of the last century. I have since read Dale Spender’s Writing a New World and discovered that is not the case. They have been deliberately left out of literary collections and reviews – but that’s another blog. In this one I want to highlight how I have found historical fact in fiction.

As mentioned I turned my attention to fiction to help me research the 1920s and luckily discovered Ethel Turner’s daughter Jean Curlewis. Last month I read her third novel Beach Beyond set near Palm Beach and written in 1923. This week I have just finished her first novel written in 1921 – The Ship That Never Set Sail. Here is what I have been looking for the last six months – a real, vibrant Sydney – the Sydney of 90 years ago!

Here she is writing about Darling Harbour:

“They were gazing right down on to the littered decks of ships – they could almost have dropped pebbles into the holds – they caught intimate glimpses of donkey-engines and capstans and flying bridges and fo’c’stle hatches at a proximity impossible at the Quay. The huge funnels towered up right beside them. They could count the cases and barrels and mysterious bulging sacks and great green clusters of bananas scattered on the wharves – gaze down into the dull green water, deep-hued as a peacock’s tail with a film of oil from some passing steamer. All the vast detail of the fifth port of the Empire was spread beneath their eyes: “the beauty and mystery of the ships”; all Darling Harbour stretching like a river between its vessel-teeming banks into the very heart of the city.” Marvellous and better than any history book!

There are also descriptions of White City, now long vanished, a ball on board a warship, something called a gypsy tea, the Blue Mountains when it was smaller and quieter with barely any cars on the road, and Pittwater. A wharf at Newport is mentioned and a pier “that ran out from a green garden full of white pigeons, scented verbena and mauve blue Love-in-a-Mist.” This is very near where I used to live but of course the garden is long gone. I’m so thankful to have found Jean Curlewis. Her words have been helping me to recreate in my mind another Sydney. I hope to track down more lost authors, to read, review and discover the Australia they lived in.

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Author platforms and protecting your intellectual property

icons

This is a cross post from Debbie Robson – Researching and writing an historical novel on WordPress.

We are constantly told that we need to work on our author platform – as many social media sites as possible. Well that’s fine. That’s the way the world is in the 21st century but how to find the time to maintain them all that is the big question! Of course it is a matter of personal preferences as to which ones you chose of the many. Personally, I have found that Pinterest, WordPress, Goodreads, Twitter, Facebook, StumbleUpon and LinkedIn are the most useful for me – the first five in particular.

But I’m not writing this blog to say get on all these now. I actually want to talk about a problem that seems to be overlooked. And that is protecting your intellectual property. In Goodreads, more so than Amazon, I’ve found that unless an author completes their profile and identifies which books are theirs, things can get really confusing.

I am a librarian on Goodreads, a Goodreads author and a participant of the wonderful Australian Women Writer’s Challenge. What’s been happening recently for me is that I have read several books where the author’s profile is not up on Goodreads. This may not appear to be a big problem for a lot of authors. It’s just one of the platforms they don’t have time for. But what they don’t realise is that when their profile is not completed a search of their name (without a profile) will bring up all the books for that name and some of the titles will not be theirs! In other words the author is not claiming and separating from other authors, their intellectual property.

As I am, like a lot of authors:
Working full time
Writing my novel,
Doing my research,
Reading
Maintaining my author platforms
Answering emails
Blogging. And, as well:
Participating in the AWWC
And of course, trying to have a personal life…
There is not really much time for extra stuff.

That’s why I am endeavouring to help in a small way. I hope to assist all the poets that I have featured here on my community page www.starvinginagarret.com in making sure Goodreads reflects what they themselves have written. I am also either putting up profiles of authors who don’t appear on Goodreads but whose book or books I have just read. And sometimes this might be an author who has died but whose work I feel deserves a new audience such as Jean Curlewis. (I still have to put up her three other books).

In regards to separating titles that is a delicate process that I only do in collaboration with the author. I cannot presume to know all the titles they have written. So authors make sure Goodreads reflects who you are and what you have written. You mightn’t want to have to tackle this but you do want readers to find your books easily – and that, finally, is what a successful platform is about.

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Call for submissions

Tonight at Poetry at the Pub I met up with my friend Janette Hoppe. Before reading her poems, Janette spoke about her battle with depression and that she is working on putting together a collection of poetry about depression. She is looking for contributors and funding the cost of publication herself. This is a wonderful project and you can find more details  at Collecting Cobwebs The Blue Series.

Janette Hoppe is from Auckland, New Zealand. She studied at Newcastle University and is the creator of Hoponin and Learn. Please share and like Janette Hoppe’s page Papatuanuku Press. Looking forward to the launch!

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The Importance of Oral History and the achievement of Sophia Turkiewicz

Source www.oncemymother.com

Once My Mother

Not everything makes it into the history books! Sophia Turkiewicz discovered this when she began to research her mother’s story in earnest. As she says herself:

“Historians can tell lies. Their sins are the sins of omission. They choose what to put in, what to leave out. When I go searching for your story in the history books, the chapter on your story is missing.”

When Turkiewicz was only seven her mother Helen placed her in an orphanage and left her there for two years. This caused a lot of bitterness between mother and daughter. As Sophia grew up she became familiar with her mother’s stories about being sent to Siberia but in her twenties she really didn’t pay that much attention to them.  She had her own life to live!

Over the years she did interview her mother and made films inspired by her mother’s life as an immigrant, with barely any English. Many years later, when Helen Turkiewicz began sliding into dementia Sophia decided it was time to really find out what happened to her mother during WWII. This film charts the course of her relationship with her mother and her mother’s incredible survival of the Polish marches.

Inspired by her mother’s stories, Turkiewicz has given us much more than just the fate of one woman. Hunting down archival material from many sources she has opened the door to a little known yet tragic episode in Polish history. Once My Mother returns to Newcastle to the Regal in July. Don’t miss it!

 

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Newcastle Writer’s Festival & The Press Book House

Jean Kent reading at The Press Book House

Jean Kent reading at The Press Book House

I’m so happy that the home of Starving in a Garrett was the host venue for two events for the festival. The first was on Friday evening as a lead up to the festival proper – the double launch of Judy Johnson’s Exhibit and Jean Kent’s The Language of Light. Both poetry collections are published by Flying Island Books.

On Saturday morning I was very lucky to be part of an Intimate Reading with Anthony Lawrence. Our group sat on the couches (where I usually write on Saturday mornings) and listened to Anthony read his poetry and several poems from Paul Muldoon and Geoffrey Hill. We were very spoilt having Anthony read for over an hour. Bliss! I can’t wait to read Signal Flare! Novocastrians are very lucky to have not just the Newcastle Writer’s Festival but this gorgeous little book shop and cafe as well!

 

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Hanging out with criminals

Yes, that’s what I’ll be doing at The Press Book House this Saturday from 10.30. I will be looking at photos from the police files in the marvellous book by Peter Doyle. I want to sit quietly and look at all the criminals. Actually its the clothes I’m really interested in and the photographs are so clear, as if they were taken yesterday, that you can see details in the women’s hats, muffs, dresses and shoes.

Ellen May Burt

Ellen May Burt Police Files Photographs

I’ll also be checking the shelves to see if any poetry books have been sold and enjoying reading and researching away from my house where all my housework waits. Pop in if you are nearby. The Press Book House is at 462 Hunter Street, Newcastle.

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Poetry at the Pub February 2014

Poetry at the Pub

Tonight at the Wicko Park Hotel in Wickham, Newcastle guest poet Meg Dunn performed in a blaze of orange light and movement. It was wonderful to see a performance poet as experienced as Meg thrilling us with her art. According to the Poetry at the Pub newsletter:

“Dunn has been a professional theatre practitioner for most of her working life, toured internationally with Zeal Theatre, nationally with the comedy Mum’s the Word, and taught drama and poetry in educational institutions. She has produced two books and is working on a major verse novel titled Komodo which she hopes to publish this year.”

Also performing her poetry at the pub was Janette Hoppe who read two of her vivid and intense short poems. Janette Hoppe and Jan Dean are contributing poets to 100 tanka by 100 poets and read some of their poetry last night at Hornsby at the launch of the tanka anthology of Australian and New Zealand poets edited by Ameli Fielden, Beverley George and Patricia Prime and available from Ginninderra Press.

Collections of Janette, Jan and Meg’s poetry is available to purchase at The Press Book House through Starving in a Garret

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